UNDERcurrents brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love and the intergenerational creative practice of choreographer and performer nia love.

Opening on July 23, Friendly Arbitration examines Honoré Daumier’s (1808–1879) subversive use of lithography and wood engraving as tools for artistic innovation and social critique in nineteenth-century France. Bringing together original prints from his popular series on lawyers, the legal system, and crime and punishment, the exhibition explores how his satirical caricatures challenged judicial authority, exposed social inequities, and helped reshape the fields of art and journalism.