The 30th Tallahassee International

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The 30th Tallahassee International

Published June 29, 2015

The Tallahassee International is an annual juried competition sponsored by the Florida State University Museum of Fine Arts and juried by faculty from the College of Fine Arts. The competition is open to artists worldwide, and after much consideration, 77 works by 40 artists were selected for the exhibition. The pieces chosen represent a wide array of contemporary work, encompassing all art forms from traditional to unconventional. Listed below are the accepted works of art for The 30th Tallahassee International.

Opening Reception: Friday, August 28th from 5:00-8:00pm

*Exhibition runs August 24th through October 4th. Admission is FREE and open to the public! Click here for information about the MoFA’s opening hours, location, and parking.

Jurors:

Carolyn Henne, College of Fine Arts Associate Dean and Art Department Chair

Allys Palladino-Craig, Museum Director

30th Annual Walkthru

Award Winners Chosen

Carolyn Henne, Associate Dean of the College of Visual Arts, Theatre & Dance and Art Department Chair and Allys Palladino-Craig, Director of the FSU Museum of Fine Arts named Bethany Taylor’s Runoff Verdure as the 1st Award winner and Maja Ruznic as the 2nd Award winner of the 30th Annual Tallahassee International.

	First Award
	Bethany Taylor
Runoff Verdure [and details right], 2014, jacquard digitally woven photo tapestry and fiber-based drawing installation, dimensions adaptable, approximately 9 x 24 feet.		Runoff Verdure details, 2014, jacquard digitally woven photo tapestry and fiber-based drawing installation, dimensions adaptable, approximately 9 x 24 feet.
	Second Award
	Maja Ruznic
All Strings Attached, 2014, ink and gouache on paper, 60 x 45 inches.		Trophies Were Made and the Message Did Not Matter. The Joy Was Already In Their Bones., 2014, ink and gouache on paper, 31 x 42 inches.

2015 Entries

: All Strings Attached, Maja Ruznic, ink and gouache on paper

: Trophies Were Made and the Message Did Not Matter. The Message Was Already in Their Bones, Maja Ruznic, ink and gouache on paper

: Birch female catkin, Katsura Okada, mixed media

: Hophornbeam catkin, Katsura Okada, mixed media

: Runoff Verdure, Bethany Taylor, mixed media

: Time span, Olga Skorokhod, paper

: Dissent, Olga Skorokhod, paper

: Deer + Rocks, Elissa Armstrong, earthenware, glaze, terra sigillata

: Poodle + Tuliptree, Elissa Armstrong, earthenware, glaze, terra sigillata

: Teagather, Ling Chun, clay, luster

: Ling Ling’s, Ling Chun, clay, plastic package, wooden frame

: Divided Roots, Mark Walnock, ceramic

: Blue Roots, Mark Walnock, ceramic

: K(N)ot In My Stomach, Kortney Niewierski, mixed media

: Forget me Knot, Kortney Niewierski, wire mesh, fabric, piping, rubber

: Anonymous Bone Noise AVW, Jim Pearson, digital photomontage

: Anonymous Bone Noise STX, Jim Pearson, digital photomontage

: Untitled (Surfacing series no. III), Erin Desmond, archival inkjet print

: Untitled (Surfacing series no. I), Erin Desmond, archival inkjet print

: Echolalia, Gray Lyons, cyanotype

: Devotion, Gray Lyons, cyanotype

: Surge, Francine Ditton, photograph

: Swell, Francine Ditton, photograph

: Song of the Bromeliad, Carel Schmidlkofer, photograph

: White, Carel Schmidlkofer, photograph

: Moment in Transition 6, John Francis, photograph archival pigment print

: Moment in Transition 2, John Francis, photograph archival pigment print

: Sorry About the Hot Pocket. I’m Still Getting Used to this Microwave, Jim Flahaven, acrylic on paper

: I’d be Careful Partner, Ol’ Luke Has an Itchy Trigger Finger, Jim Flahaven, acrylic on paper

: COMING HOME, Tej Greenhill, oil on linen

: ON THE ROOF, Tej Greenhill, oil on linen

: At My Real Job, Tracy Kerdman, oil on canvas

: Saturation Nation, Tracy Kerdman,

: Backyard Bouquet, Sandy Thibeault, egg tempura

: Time for Reflection, Sandy Thibeault, egg tempura

: Do It, Don’t Do It, John Cooksey, oil on canvas

: Ancestors, John Cooksey, oil on canvas

: El Caballo c/s, Jose Esquivel, acrylic

: Selena, Jose Esquivel, acrylic

: The Supply Company, Christopher Owen Nelson, carved and painted cast acrylic

: Glimpse, Christopher Owen Nelson, carved and painted cast acrylic

: Loft, Jonathan Hall, oil on linen

: Hula two, Jonathan Hall, oil on linen

: Beyond the Cave, Judith Peck, oil on board

: Theory of Identity, Judith Peck, oil and plaster on board

: County Road, Nathan Taves, oil

: Cross Over, Nathan Taves, oil

: Reading under the umbrella, Yara Damian, oil on panel

: Emotions I, Yara Damian, oil on linen

: Twins, Miriam Yuhvetz, acrylic on canvas

: We All Play Together, Miriam Yuhvetz, acrylic on canvas

: Imprint #10, Rotem Reshef, acrylic on canvas

: Imprint #6, Rotem Reshef, acrylic on canvas

: sin titulo, Oscar Salamanca, oil on canvas

: sin titulo, Oscar Salamanca, oil on canvas

: Winter Tale, Victoria Goro-Rapoport, intaglio

: The Dream Catchers, Victoria Goro-Rapoport, etching, mezzotint, photo etching

: Another Earthquake, Veronica Jaeger, pencils on paper

: Mother, Veronica Jaeger, pencils on paper

: Two Birds with One Stone, Emily Sullivan Smith, relief print, gold leaf

: Plight of the Passenger Pigeon, Emily Sullivan Smith, 12 color screen print, gold leaf

: Prodigal, Xiong Xuan, pencil on paper

: Angels, Xiong Xuan, pencil on paper

: Goldilocks, Moran Kliger, print on paper (triptych)

: Just Cause You Feel It, Joe Korte, oil on canvas, painted construction

: The Absurdity of it All, Joe Korte, oil on canvas, painted construction

: Turning Toward the Door as a Dim Light Entering the Frame Interrupts an Otherwise Silent Exit through a Window, Joshua Hagler, ink, oil on polyester film mounted on wood panel